+ AMRO16 | Daniel Neyland - Demarcation, Disposal, Deletion Created at 8. Jul. 2016 6467 Ansichten by servus BeschreibungEmbed Lecture | Art Meets Radical Openness 2016 Festival dedicated to Art, Hacktivism & Open Culture. This presentation compares two contemporary means to manage digital detritus – the deletion of unwanted data and the disposal of electronic waste. Algorithms for selecting and automatically deleting irrelevant data will be compared with market based interventions for disposing of former electronic goods. In both cases demarcating wanted from unwanted, valued from unvalued and relevant from irrelevant stuff will sit centre stage. However, continual slippages and failures of demarcation prove troublesome to those organising interventions. Algorithms struggle to map distinctions between relevant and irrelevant data, with some pointless data deleted and some important data overwritten. Market based interventions fail to acknowledge the complexity of value in forms of waste, with competition between waste firms derailing efforts to responsibly dispose of electronic goods. The presentation will conclude with an assessment of what matters in forms of demarcation. -- Abgrenzung, Entsorgung, Löschung Diese Präsentation vergleicht zwei verschiedene Formen der digitalen Abfallbeseitigung: Das Löschen von unerwünschten Daten und die Entsorgung von Elektronikschrott. Algorithmen für die Auswahl und automatische Löschung irrelevanter Daten werden mit kommerziellen Dienstleistern für die Entsorgung von elektronischer Geräte verglichen. In beiden Fällen steht die Abgrenzung zwischen erwünscht und unerwünscht, zwischen wertvoll und wertlos, zwischen relevant und irrelevant im Mittelpunkt stehen. Allerdings erweisen sich kontinuierliche Ausfälle und Versagen bei der Abgrenzung als schwierig für diejenigen, die diese Unterscheidungen treffen müssen. Algorithmen haben Schwierigkeiten, zwischen zwischen relevanten und irrelevanten Daten zu unterscheiden, was dazu führt, dass sinnlose Daten erhalten und wichtige Daten überschrieben werden. Markt basierte Anbieter scheitern daran, die Komplexität des Wert von Elektroschrott zu erkennen, wodurch im Wettbewerb zwischen den Entsorgungsfirmen, die Bemühungen, elektronische Güter verantwortungsvoll zu entsorgen, behindert werden. Die Präsentation schließt mit einer Beurteilung, was bei den unterschiedlichen Abgrenzungsformen von Bedeutung ist. -- Daniel's interests cover issues of governance, accountability and ethics in forms of science, technology and organisation. He draw on ideas from ethnomethodology, science and technology studies (in particular forms of radical and reflexive scepticism, constructivism, Actor-Network Theory and the recent STS turn to markets and other forms of organising). His research is ethnographic in orientation. In particular he is interested in the question of how entities (objects, values, relationships, processes and also people) become of the world. Across a number of research projects Daniel has ethnographically engaged with: security and surveillance, traffic management, waste, airports, biometrics, parking, signposts, malaria vaccines, Universities, algorithms and speeding drivers. Through these projects he has looked into ontology, notions of equivalence, parasitism, the mundane, market failures, problems and solutions, deleting, value and the utility of social science. Daniel is the Principal Investigator on the MISTS project (www.marketproblems.com). Daniel Neyland has recently published a book on Mundane Governance, co-authored with Steve Woolgar and available from Oxford University Press. http://www.gold.ac.uk/sociology/staff/neyland/ -- Video licence: servus.at, CC BY-SA Programm: http://www.radical-openness.org/programm/2016 http://www.radical-openness.org Share & Embed Embed this Video Link to this Video Add new comment Kommentar verfassen login or register to post comments. servus.at 106 Videos, 2 Members Playlists #Tags Festival Daniel Neyland Hacktivism Openness servus.at Open Culture More from Channel 01:07:28 Lost in a Garden of Clouds Lost in a garden of clouds // AMRO20 Exhibition walkthrough servus.at since 3 years 6 months 00:53:13 The most famous critique of social distancing started in anthropology circles once we had officia AMRO20_ Intimacy and its (technological) discontents: 3 thes servus.at since 3 years 11 months 00:10:22 DIPL. ING. Rfid: DIPL. ING. CHRISTOPHER LINDINGER servus.at since 13 years 7 months 00:10:09 DR. Rfid: DR. MARC LANGHEINRICH servus.at since 13 years 7 months 00:44:09 Tatiana Bazzichelli / Disrupting Business Tatiana Bazzichelli - Disrupting Business: Towards a Critiqu servus.at since 9 years 11 months 00:18:41 ARMIN MEDOSCH www.thenextlayer.org Rfid: ARMIN MEDOSCH servus.at since 13 years 7 months 00:44:52 Presentation | Art Meets Radical Openness 2018 AMRO18// Sea-watch servus.at since 5 years 9 months 00:52:55 Stereotypes by Design Research Lab 2017: Barbara Ondrisek - Stereotypes by Design servus.at since 5 years 4 months 00:41:14 Presentation | Art Meets Radical Openness 2018 AMRO18// Yoshinari Nishiki - Dissecting container ships servus.at since 5 years 9 months 00:23:42 Im Juli 2010 tauchte SAZAE BOT das erste Mal auf Twitter auf. Research Lab 2017: SAZAE BOT - You Can Be Anyone This Time A servus.at since 5 years 4 months 00:29:21 Digitalization will come" - this is the mantra of our society. AMRO20_ Living in Electric Fields | 5G Environments are invi servus.at since 3 years 11 months 00:40:48 "Self-Similarity" is a performance for sonification and visualization of states of disorder and i AMRO20_ Self-Similarity | Wolfgang Spahn servus.at since 3 years 10 months Mehr vom User 01:07:28 Lost in a Garden of Clouds Lost in a garden of clouds // AMRO20 Exhibition walkthrough servus.at since 3 years 6 months 00:53:13 The most famous critique of social distancing started in anthropology circles once we had officia AMRO20_ Intimacy and its (technological) discontents: 3 thes servus.at since 3 years 11 months 00:10:22 DIPL. ING. Rfid: DIPL. ING. CHRISTOPHER LINDINGER servus.at since 13 years 7 months 00:10:09 DR. Rfid: DR. MARC LANGHEINRICH servus.at since 13 years 7 months 00:18:41 ARMIN MEDOSCH www.thenextlayer.org Rfid: ARMIN MEDOSCH servus.at since 13 years 7 months 00:44:52 Presentation | Art Meets Radical Openness 2018 AMRO18// Sea-watch servus.at since 5 years 9 months 00:52:55 Stereotypes by Design Research Lab 2017: Barbara Ondrisek - Stereotypes by Design servus.at since 5 years 4 months 00:41:14 Presentation | Art Meets Radical Openness 2018 AMRO18// Yoshinari Nishiki - Dissecting container ships servus.at since 5 years 9 months 00:23:42 Im Juli 2010 tauchte SAZAE BOT das erste Mal auf Twitter auf. Research Lab 2017: SAZAE BOT - You Can Be Anyone This Time A servus.at since 5 years 4 months 00:29:21 Digitalization will come" - this is the mantra of our society. AMRO20_ Living in Electric Fields | 5G Environments are invi servus.at since 3 years 11 months 00:40:48 "Self-Similarity" is a performance for sonification and visualization of states of disorder and i AMRO20_ Self-Similarity | Wolfgang Spahn servus.at since 3 years 10 months 00:51:27 AMRO18// Alison Killing - Migration Trail: the opportunities servus.at since 5 years 9 months More like this 02:02:39 Close to the Water Rob La Frenais AMRO20_ LIGHTNING TALKS | Rob La Frenais, Eva-Maria Lopez, S servus.at since 3 years 11 months 00:49:22 Presentation | Art Meets Radical Openness 2018 AMRO18// Fieke Jansen - Blinded by Technology servus.at since 5 years 9 months 00:44:54 Presentation | Art Meets Radical Openness 2018 AMRO18// Joana Moll - DEEP CARBON servus.at since 5 years 9 months 00:41:14 Presentation | Art Meets Radical Openness 2018 AMRO18// Yoshinari Nishiki - Dissecting container ships servus.at since 5 years 9 months 00:46:03 Presentation | Art Meets Radical Openness 2018 AMRO18// Cristina Cochior - Infrastructural stress relief servus.at since 5 years 9 months 00:24:12 Producer Abigail Addison will present on Silent Signal, a project that connects six artists worki EA16 05 Abigail Addison - Silent Signal: Exploring Visionary FH HAGENBERG since 6 years 10 months 00:37:56 * only sound * AMRO22: The Evolution of Data -Christo Buschek servus.at since 1 month 3 weeks 00:33:04 Aire is a generative sound piece inspired by the complexity and variation of atmospheric data in AMRO20_ Aire | Interspecifics servus.at since 3 years 10 months 01:12:50 Martini-WindischElizaveta Trukhanova velak gala #128 | Tresor Linz | Nov 14 2023 Tresor Linz since 5 months 3 weeks 01:05:54 Presentation | Art Meets Radical Openness 2018 AMRO18// Pablo DeSoto - From the Sputnik to the Stack: Radic servus.at since 5 years 9 months 00:40:31 Presentation | Art Meets Radical Openness 2018 AMRO18// Felipe Castelblanco - Cartographies of the Unseen servus.at since 5 years 9 months 00:40:11 Reinhold´s artistic work is always at least cross-linked to animation in diverse fields, settled EA16 03 Reinhold Binder - Animation and Artistic Diversity I FH HAGENBERG since 6 years 10 months