So I welcome you to the evening. What are the spirits in your life? Or Lerne Deine Geister, the German title. It's more of an immersive evening, which you will see some videos, some audio, a bit of talking. It can be a bit overwhelming, but like a city, it's also layered. aber wie eine Stadt ist es auch gelagert, also kann man sich darauf konzentrieren, was man mag. Wenn man denkt, man fühlt sich nicht so, als würde man alles zusammen schauen, was auch manchmal nicht möglich ist, man schaut nur auf eine Sache, oder man will seine Augen schließen, man will sich schlafen lassen, man will in einem anderen Raum laufen. Das ist alles möglich? zu viel werden und dann schaut man halt woanders hin oder geht woanders hin. Man kann sich selber aussuchen, wo man hinschaut und was man gerade macht. Und man kann sich also hinlegen oder in einen von einem Bereich in den anderen gehen und es gibt Audio, es gibt Video, es gibt Performances. There is some material that you see around, it's reflection material to draw, to do some play or write some keywords. This will be introduced in certain sections again, but it's just there if you want to zone out, observe, write something, Ja, also es gibt so Material, das hängt in der Gegend herum oder es ist aufgelegt und da kann man so Reflexionen schreiben zum Beispiel oder es gibt dieses, wie so Ton, so Plastilin, wo man was machen kann. Und das wird schon auch angesagt in bestimmten Situationen, aber man kann dazwischen auch immer wieder auszoomen und was hinschreiben oder Reflexionen machen und so. Participation is the key that this evening unfolds, but what is participation you decide for yourself? Also das Mitmachen ist ganz zentral dafür, dass der Abend sich entfällt, aber die Teilnahme entscheidet du für dich selbst. Und wenn du Fragen hast, kannst du sie mir immer fragen. Nicht zwischen meiner Tanzsitzze, vielleicht nicht dann, aber wenn es mir, Karin oder Manu geht, wenn man sich sicher oder unsicher fühlt, wenn man sich einfach sagen, dass man sich unwohl fühlt oder Stoff braucht oder so. And then anybody has a problem with the camera or taking photos, you can let us know. Also will irgendwer nicht, dass fotografiert wird. Wir machen das für die eigene Doku auch. I will take some photos for everybody. And you can, with Sylvis permission, take the camera and also record if you like. So you see it from a different media what is happening. It's just an interactive material. Also mit der Erlaubnis von Sylvie kann man sich auch Kamera ausbauen und filmen. Es ist nur ein interaktiver Material. und macht keine großen hüpfer aber man sollte sie halt langsam bewegen Thank you Silvi and Alexander for making it happen. Thank you Karen for connecting. Thank you for being here. Thank you. Thank you. Thank you. Thank you. Rest please read the posters so everyone thinks that the people are thankful. to Silvi and to all who have made this room possible. And to me, Manu, Frisians, Frisians and to all of you. We start with a bit of meditation or knowing your body and breath. And then we follow through the abhant. Und wenn du es möchtest, kannst du während des Events immer nur deine Augen schließen und zurück in den Atmen gehen, weil das ist wichtiger als alles andere, was außen passiert. Und ähm, nicht stressen, es ist nicht so, dass man to meditate. It's nothing. It's just breathing. And stress makes you happy. So we just start with any position you like. Whether sitting, lying down, like this, like this. Whatever you like so you're relaxed. And close your eyes and just bring in the concentration to whatever objects you're touching. und schließt die Augen und bringt die Konzentration zu jedem Objekt, das Sie bewegen. Trotzdem können sie immer zu deinem Atmen denken oder Einatmen oder Ausatmen. Wir fangen an mit der Position, du findest deinen Selbst in Relaxed. Nicht so sein, so sein oder hinlegen oder so. Wir fangen an mit der Augenzucht an und denken nur drinnen, welche Objekte mein Körper beobachten. just bring the concentration on the breath bring your attention to how you breathe Fühle es in deinem Körper, als ob es sich mehr darauf konzentriert. Ich bin ein Körperteil, das diese Atemdings atmet. Sie können immer ein bisschen bewegen, wenn sie fühlen, dass etwas stört und es gibt eine Blockade. Sie können immer ein bisschen bewegen, wenn Sie fühlen, dass etwas blockiert ist. Bring your attention towards how your feet are placed. Bring deine Aufmerksamkeit, wie deine Füße sind. Wie sind deine Knie? wie deine knie steht how are your knees placed with the knees Wie deine Hüfte ist, wie deine Hüfte ist, wie deine Hüfte ist, wie deine Hüfte steht oder bleibt. Wie ist dein Körper? Bring Aufmerksamkeit zu deinem Prost. Wie die Schultern auf dem Schalter befestigt werden. Bewegung ist gut. Atmen, wenn du denkst, dass es ein bisschen stört. Stoop. Just breathe. Move if you feel there is any blockage. How your hands are placed. Wie deine Hände sind. how your head and neck is placed you can always make it move a little just a little bit and now how your head is placed Und jetzt, wie dein Kopf ist. und jetzt atmest du von deinen Füßen, von deinen Knien, Neck und Kopf. Atme in durch die Füße, nach oben durch die Hände und atme aus durch die Hände nach unten. Und ausatmen von oben bis unten zum Beinfüß. Do it at least 2-3 times. Mach es mind. 2-3 mal. Das ganze ein und ausatmen. and whenever you're ready yes you can do that too slowly open your eyes. Just take your time. Suggestion is to walk around the space and just see what is going on sit I will interrupt with my amazing dance you can see or not now concentrate on walking around pick your time I love you. La ചേരുത്വാര് ബീകുതੋরੁതੀ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁরੀઆ ਸੁകുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കുണ്ടു കർാരു നാര്പരു അവുച് മല� ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੈ ਮੁਸੀ ਨਕਵੀਚ ਨਕਲਾ ਪੋਯਾ ਮੇ ਪੁਲ ਸ਼ਿ ਤੁਸੀ ਪੁਲ ਨਾ ਯਾਰ ਨਾ�ਾਲ ਬਲੋ ਚ ਨਾਲ ਯੋ ਜੋ ਭੀ ਬ੍ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്തੋਗੀ ਪੇਕਾ ਵੀਨ ਬਜਾਏ ਦੀਨ ਮੇਰ ਮੀਰੀ ਚੈਨ ਨਾ ਦ്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത� ਸੁਪਾਈ ਸਪਣੀ ਰੋਂ ਵੈ ਸੁਪਾਈ ਹੈਰ ਬਾਨੀ ਦਾਦੇ ਦੁਂੇ ਉੁ ਸਜਨ ਪਾਜ ओ सजना काजो हो यानिराँ ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത്ത� Sampai jumpa. Terima kasih telah menonton! Lama... ਦੇ ਸਾਨੀ ਆਜ ਕੋਈ ਟੁਕੇ ਹੋਏ ਦੀਲਦਾ اوہ دے سونی لاج کوئی ٹھوٹے ہوئے دلدار ہوگا را کی پہانا ਦੀਲ ਬਰ ਨੀਓ ਮੀਲਦਾ ਚਾਰ ਚਾਬਰੇ ਓਯਾ ਹਨੀਰਾ Altyazı M.K. ਸੈ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਸੇ ਪੁਲ ਦੁਲੋ ਤੁਸੀ ਪੁਲ ਨਾ ਜੈਓ ਯਾਰ ਨਾ ਨੁ ਬਲੋ ਚ ਨਲੈਓ अनवरोच नलयो रबाँ О-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о-о- The building is a small building with a large entrance. Good. Could you read this for me please? Yes. That was the last time I saw him, James Lee, alive. I saw this opniturary in the paper the same year. I had no idea what had happened to him in the meantime. During those three months that had seen Ah Jung give way to winter, he did leave a message at the taxi office once, but we were allowed to make personal calls during work hours. And when I called him back after my shift was over, he didn't pick up. Thank you. My pleasure. Everything good? Yes. We collect, this project started with collecting letters and this is how we had some letters from the city of Linz in Vienna talking about what they like or not like about the city and I have a small presentation with it if you like to see so enjoy and it was this film was in one of the letters which talks about addiction and this one was really saying that I'm thinking about THC consumption and then I am just going to talk about what this video can bring me. So the letter said there is a human that has... Arrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr is wonderful, but... There are mental health issues, there are drug problems, exactly, especially with THC consumption in young people. There is no care or education on how to utilize it without stigmatizing it. We urgently need to support initiatives which give importance to individual and Like my eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeoooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo So the question is, do you get sedated for pleasure? Kinder Spielplätze in Linz. Aber die Probleme ist, dass die 10 bis 14 Jahre alt zu groß für den Spielplatz sind und zu jung sind, um mit T.A. Chaps zu spielen. play with the chips moreover the young and centrum in front theater same North in Frankfurt are only foreigners Why is color so much related to skin nowadays? now a days. I have a question to everybody. Because I miss nature and calmness areas, cars and traffic jams. Hotness in summer scares me a lot, a lot, a lot. What about... Ich habe eine Frage. 6. Wow, bravo, grazie. Ökologie. Und dann zwischen 1 bis 6. 5. 3. 4. Do you know exist in your city? Are you directly or indirectly consumer of them? If yes, which ones and how? If not, then think again. Industrie. Also macht es gleich mal auf Deutsch nochmal. Bitte. Wie viele Industrie gibt es da, wo du wohnst, oder? Und wie viel konsumierst du davon? Ja. Wie viele Industriebetriebe kennen Sie in Ihrer Stadt? Sind Sie direkt oder indirekt Konsumenten dieser Branchen? Wie viele Industriebetriebe kennen Sie in Ihrer Stadt? Sind Sie direkt oder indirekt Konsumenten dieser Branchen? Wenn ja, welche und wie? Wenn nein? Bitte denkt nochmal. If you don't like the question... Ja, aber Tourismus ist auch eine Industrie. Also halt keine... What kind of industries are you in? What kind of industries do you know? Cement, salt. Salt, yes. What do you have? Is the tourism also industry now? You just meme fabrics or... No, I mean industry as anything that has done something. Also shops or something? If you think it's an industry, it's part of something, because it's always a block connected to each other. Es ist ein Teil von etwas, weil es immer ein Block ist, der sich verbindet. Wie Belar ist eine Industrie, es ist eine internationale Industrie. Ja, Fischgräber. Fischgräber, Papier und dann Holz. Na das ist ein Baugewerbe, oder? Große Baugewerbefirmen. I can't say. The thermo? Yeah. You should have moved those mounds in the room. That's all? Man, she says what we saw. Lidah, move those mounds in the room. Yeah, yeah. A lot. A lot of head air. Cakes and sweets. Sauna. Sauna. Und was passiert in der Sauna? Nicht Sauna, Sauna. Konditorei. Sie machen Kekse. Saunerstollen Over the world It's very famous And if we have to say that these industries fulfill certain spirits of us, what those could be? Food? So what spirit is that? Enjoy. Growing. Life. Pleasure. Sickness. Pain. Joy. Good food kills you. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. And all the farmers with their cows. I can't speak. Good food kills you. And all the farmers are so connected with the earth and the rain. Du kannst auch den Lamm probieren, was sie in sich haben. Du kannst es dir auch anbieten. Wenn du es kaufen möchtest, dann kommst du davon. Könnten wir noch ein bisschen leiser sprechen, bitte? Ja. Just think about this and we walk to a different place thinking about the spirit of hunger and the spirit of hunger of food and... Emotional hunger? Yeah, and socialism hunger? Socialism hunger? Socialism hunger? Villa? In the name of socialism? Just think about it and then we are walking to a different realm. Jetzt gehen wir in ein anderes Zeichen. Thank you. Nobody has to say sorry. So we had a lot of impressions on the other side of the world I like to ask everybody and Karin especially, how about the spirits in Badshur connected with the spirit of Khanda. There's no one in there. Never has been. So, you're in the water. Indeed. Why is it this little place? Yes? Or maybe it's just confirmation, a request to see what we know, our ages. Because if you're young, you don't know. Even history sometimes you don't know. If you are our age, of course we know from our parents. But people that are like Tupi, she's young, maybe she doesn't know. Or even heard of it, probably. Stupid. Tupi's also stupid. Yes, but I'm young and hungry too. Yeah. That's nice. But there are a lot of different kinds of hunger. So you can see eating the people everywhere. They are eating, eating, buying, buying, buying a lot of, so there is no hunger in the mean of the historical thing or hunger in sense of you don't have enough enough to eat but there is enough hunger for emotions other stuff a lot of desires a lot of wishes or all these and that's why the people are so much eating because... Yes, they have to replace sometimes the lack of wonderful food. What other kinds of hunger? Hunger for love. Especially for touch, for feeling, for deep feeling. For friendship. Friendship, yes. Socializing. Because there is very less socializing. I find a lot here. Really? Yes, I find Bhadisha a great place to socialize. Really? Maybe I'm lucky. Was it easy, Chimsey? Oh, no, no, it took a few years. I was running away. But you have to change. If you don't change in a new situation, then you're always hungry. If you start changing, you can feed the hunger and you will become again balanced. That's the thing. But you have to change because the world is changing. You have to change in each situation. And maybe it's not always for the better. It can be for the worse. But I think that it's a great place to stay. You have to change your thinking. You don't change your clothes. You change what you feel in the beginning that can be hate or resentment or because you're different you're misplaced you're not in this world you don't belong but all this give means that you're hungry for being accepted so I think we have to work on it. Acceptance from whom? From everybody around you or from the foreigners or because you're a foreigner. It's hard to be a foreigner in a place where everybody is the same. I mean... But you can also be a foreigner when well as when you are an Austrian. Yes, that's true. Because you feel like a foreigner. Yes, that's true. Strange or something. That's true. Yes. So that's also another type. It's the same hunger to be accepted. Yeah, that's true. What do you say, Gabi? No, nothing. Would you like to say something about the history? What do you say, Gabi? No, nothing. Would you like to say something about the history that you taught? I just want to say another thing to the hunger. There is a big hunger for destruction in the world. There is about 30% of the population wanting to destroy the world. There is this big hunger, unsatiable hunger to destroy the world. That is big hunger, unsatiable hunger to destroy the world. That's what we are facing now. And if you're talking shit about love and whatever, we have to face it. We should never forget that there are 30% of the population who wants to destroy everything. But that is the balance of contrasts. There's the plus and there's minus so it will always be like that unfortunately the plus destruction is more Who has said this? This is Johanna. Yes, Johanna, fair enough. You think this somebody has already said in Badishal? Sorry to destroy you, but here we go. Tschüss, Baba. Happens every time. I'm not to give up about myself. I know, I know. I'm not to give up about myself. I know, I know. I'm not to give up about the situation of the world. It was the first time. Yes, yes, yes. Sorry. Yes, yes, I know. I just wanted to bring it back a bit to you. You're Modi, not you, because you are not Indian. You are from Austria. So everybody has his devil. That's the hunger for the devil. Karin, would you like to say something that would be devil-like that has happened around history? I told you I'm not an Ischgl historian. But, I mean, it's a bit, and there's a section of Deutsch on there, but it is a bit obvious that when we were, Manuel and I were walking around, Manu and I were walking around, but before they started as a kind of preparation. And we had the feeling that like the Sisi and the Kaiser, they are kind of everywhere. So in a way, you are stuck into history and you can't really escape it. I mean, you folks will tell us how you were doing this. But we walked past the hotel, like, Kaisering, Elisabeth Hotel, and she was past looked out of the window and gazed at us. And on the other hand, the past was not black and white. Back then, people were not running around black and white. So black and white photos, in a way, knew that it was us looking at the past. And the technology was not developed with black and white photos from her and Franzi. So in a way it was a weird reflection between the past looking at us and we looking at them looking in the past. And then I told Marna because she doesn't... I mean I'm also a super foreigner here but you don't know what is how things are done here with history and so on and then we saw everywhere it's history like we are so cool we are tracing back to 1824 1853 and then we are going to the contemporary time or going to 1915 14 so in a way you have to feeling the mark marketing here is we are bound to the 19th century. But on the other hand, I'm so surprised why people are so proud about this and what are they so proud about and what kind of history they have to cut out to keep this pride. It's for sure not future oriented, we look back and this is our identity and we sell this, it's like marketing, we and Sisi. But on the other hand, I really wonder if you can do this and you also know that a lot of this, in this time span of history a lot of really very disturbing things happened and Franzl also signed An meine Völker something that started World War I and this was even before World War II and we are talking about destruction now, that a lot of destruction happened. And then I told you also about Lea and Luna Bader, one became famous and one was murdered. And then we stopped talking. But that also connects with the 30% of the people who destroyed the world. And this is also the oldest for this period. I mean, the destruction of the world, it's also interesting how, It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. It's a very good story. on its process, right? And there's this freezing of time in a space, which is very disorienting, because it's also like what, I think I agree with you, that there's a great desire for the destruction of the world, because I think it's also like the destruction of the world is also like the literal, spatial destruction of the world that is taking place right now. Like climate destruction of the world, destruction of people, minorities, destruction of values. There's this great, intense, terrifying destruction taking place. But it's also destruction of memory in a sense, right? Because if I walk through it, and this lover or friend or partner that goes missing from the streets, who used to write for Leha, this lover or friend or partner that goes missing from the streets who used to write for Leha. What is his name?. SHRUTI VAIDYAGARAGHARAJANI KHANNABURTHY KHANNABURTHY Yes. So it's also like the destruction of the best friend in a strange way in this story. I was thinking about how like what happens during this period when his best friend who's writing for him is taken away and killed while he becomes more and more famous. So I think the destruction of worlds happens at many, many layers and levels is what it makes me think about, which is the literal military destruction of the world and the industrial destruction of the world, but also destruction of memory or destruction of friendships or of intimacies of best friends that are completely working together. And their part is because this ideology occupies or destroys all memory of what history they're living in in Bhadrashal or anywhere else in the world for that matter. It's just about going and looking for the ways in which... I would propose if you would like to roll a dice and we just see how this whole different layers of destruction Do it, do it Perry. Roll a dice. I can't in the middle but later, sure. That's also destruction. It's like for calling a certain spirit to transform us, but it's metaphorical, it's not ritual. No, it's not scary. Six and five. You want six and five or eleven? Eleven. Eleven? You've called upon the spirit of welcome to India, Shiva, Vishnu and Mohini do you know who these people are I mean do you know what this is so because we are running out of time. Now, Shiva, Vishnu and Mohini. Mohini, I don't know Mohini. Yes. Shiva, Vishnu, Parvati and all. Mohini is actually in today's terminology drag queen of Vishnu. So Vishnu in an avatar of a lady is Mohini. And Shiva and Vishnu or Mohini as an avatar or as a drag, they have a child together. There's only the Trinity, if you know Shiva, Vishnu, Brahma, they both in the Trinity have a child called Ayyapan. And the idea of Ayyapan was to say, let's get rid of death and birth because then people would not have to be in so much hunger, in so much destruction. And some of the gods tried to tell that, well, if this is going to happen, we will not get any more money. No one is going to happen. We will not get any more money. No one is going to give us gold. There will be no one going to churches. There will be no one going to temples. Who will give us this offering? So let's confuse Ayyappan and get him out." Which they did, and I don't go to that story yet, but for me what is interesting is two very emasculated figures, and one known as the Earth Destructor and one known as the Universe Maker, or maker of many universes. They are married even after being men and being have a drag but they change their form to bring something up so in that I just present a short poem which I wrote with Chad GPT we are Shiva the destroyer and transformer, Vishnu, the preserver of life, and Mohini, the enchanting avatar. Together we dance the eternal cycle of the universe, balancing the forces of creation, preservation and dissolution. Even though preservation is a colonial word, let's just keep it like this. We are two bodies, even when we are three. We are the dance of cosmic fate, the cycles of rebirth, Shiva's drum, a rhythmic gate, Vishnu's calming myth. Vishnu's moini with her grace and charm, illusion spun so fine, in every act a cosmic psalm. In love and light divine, we play the roles, We sing the songs of time's eternal flow, To creation's rights and wrongs our spirit always grows. Join the dance, embrace the sway of life's unending beat, for in this cosmic play, we say the journey within you is complete. How do our stories of cosmic dance and balance inspire you to embrace aspects in your life, even the transformative and challenging ones. I don't have to answer or anything. I don't know. Just think about it. Denk daran. Denk daran. Ich habe es nicht wirklich verstanden. Karin, kannst du es noch einmal machen die geschichte oder nur die preise nur die preise wir sind sie war der zerstörer und transformator wischner der erhalter des lebens und moini die bezug der inkarnation gemeinsam tanzen wir den ewigen Zyklus des Universums. Gleichgewicht zwischen Schöpfung, Erhaltung und Auflösung. Ich glaube Erhaltung ist auch ein kolonialistisches Wort, aber trotzdem Aber trotzdem gehen wir weiter. Wir sind zwei Körper, auch wenn wir drei sind. Wir sind der Tanz des kosmischen Schicksals. Die Zeichnen der Wiedergeburt. Shiva's Trommel, ein rhythmisches Tor. Vishnus beruht in ihm das Leben. Vishnus Mohini mit Anmut und Charme, Illusionen zu Feind gesponnen, in jedem Akt eine kosmische Sam, in Liebe und göttliches Licht, nicht wir spielen die runde wir sind die wieder des ewigen flusses der seite durch die rechte und unrechte der schuld wächst unser geist immer fort kannst mit uns und arme den Schwung des unblicken Lebensschlages, denn in diesem kosmischen Spiel sagen wir, die Reise ist vollendet. und das gleiche wie alle aspekte des lebens auszulehnen und als von mir Okay. Wie ist es? Wie ist es? Perfekt. Wie ist es? Perfekt. Was sagst du? Also ich finde es sehr interessant, dass dieser, wie soll man sagen, dass die Geburt nicht mehr stattfinden muss und auch nicht der Tod, sondern das ewige Sein Das Leben, auch in der Materie sogar Solange man möchte. Welle sind eine Transformation. Da muss nicht so viel zerstört werden, oder? Immer wenn man in der Blüte ist, wenn man die Erfahrung gemacht hat, sterben die Leute und können es nicht richtig an. Aber wenn es nicht mehr stirbt, dann ist es immer ein endliches bisschen gerechter Fall. Ja, alles in einem Leben, nicht in 100.000 oder 1000. Ah ja, aber es gibt ja auch den Gedanken vom permanenten Atom, das mit der Seele ins nächste Leben mitwandert und so. Das sind die fünf Gramm oder was da drin, der Eingabe dann leichter ist, wenn man stirbt. Das gibt es ganz in Köln. Ah, wirklich? Ja, da wird leichter, wenn man stirbt, da wird es ganz bisschen leichter. Das philosophische Gedanke würde, dass ein Atom mitgeht ins nächste Leben und somit das ganze... Du bleibst verbunden wirklich mit dem Universum, also mit dem Schöpfchen. Ja, und auch mit dem, was du erlebt hast, mit dem Rangieren. Und kannst es dann eigentlich wieder abholen. Wir sind in der DNA alles drin gespeichert. Das ist auch angeblich die Ahnen sind drin. Die Tarmata. Das ist nicht nur angeblich, sondern das ist auch wissenschaftlich erwiesen. Dass die DNA in Speicher ist. Dass die Tarmata zum Beispiel ein bisschen gefliegt ist. Das ist ein bisschen schwierig. Das beeinflusst unser Verhalten. Und wir merken es ganz unterbewusst. So viel, oder? Wir denken uns, ich komme schon irgendwie damit klar, ich mache einfach. Aber dahinschauen und sagen, vielleicht lässt sich auch trauen. Und wissen, es geht und versuchen. Vielleicht braucht man auch für sich die Zeit. Ja, Stille auf jeden Fall. Da solltest du mal hinspüren. Hinspüren, echt rein spüren. Dass du Gefühl hast, wo es nicht weiss, wo es herkommt. Was gehört jetzt da? Ich habe ein Hallo-Gefühl, ich erkenne dich an. Ich sehe dich, ich spüre dich. Oft, manchmal löst sich es dann schon auf. Wenn nicht, dann kannst du fragen, ob das Schlechte selbst sein wird, um uns zu sehen. Du brauchst diszipliniert zu sitzen bleiben und nicht aufstehen und Wäsche abheben musst. Oder kochen oder irgendwas anderes. Allmächtiges tun, um zu funktionieren. In Wahrheit kannst du ja während jeder Tätigkeit meditieren. Ja. Aber das ist ein Orgelzustand, ich weiß nicht, ob ich da nie... Also... Da ist Org-Wannee. So zum Wasser, Wasser, Wasser. Das Schöne an der Erde, man hat das Höchchste, auf das Tiefste, alles zwischen geht, alles zwischen drin. Kampung Kampung The The I'm sorry. The My table is just a second one in. It's a little higher up here. I see we can stack them. The Ketua-Ketua It's okay, you can stay also where you are. If you like to join in a bit of singing, I present a song that talks about the martyrs that have died. and we remember them that they have sacrificed something in the idea of also destruction or blood or anything. They don't have to be on the good side of the world. It's just anyone or everyone who has died to make any of the hungers fulfilled or even to make the hunger very big. So anyone who has died and given blood to this soil. There is a song that goes like... You don't have to sing the song, you can sing the tune. It is... It is... Try to get the tone and if words are fine, it's also good. Na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na na Thank you. Thank you. Nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, nalina, Jauh Shadi Te usherir, te yumoyo, ue te usherir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelir, te pelirChao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, Nama-Chao, La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la Oh, yeah. © transcript Emily Beynon ¡Vamos! Thank you. Sampai jumpa di video selanjutnya. so All right. Nidra After this you will see a song that I made from the post-it that you see in this book. These were written by Kate from her housing project. Okay, I'm giving you all of this, but please don't take it home. Production budget is a little low. Thank you. And I would just say enjoy, go around. Bilal tawna bilal bilstek Syaulik piangia Dikasem Dikepita Tuka Dikasem Glocken in der Nacht Glocken in der Nacht Ipukun cipilun bauk sun bauman, bauman ane kinda kino, Rafi alvi mou biniya, ki susaman mit laurina. My body and my weight is my heart and some of them are stable Some of them are stable, some of them are seemingly fluent, body in which the history is in the moment, here are some categories to think, here are some categories to think. Kampung Kampung I'm afraid to speak. Ich will Geschichte, Aktivismus, die Konstruktion Museum, die Konstruktion Museum, dieruction museum Natura, natura Identitate kid in the living and cars Energy bike, bicycle, martina I don't know Othering is not who decides to other Do you think this is a restart to my shape? Is it ever we connected? Dropping from the top, coming to Andreas. Andreas asked us, we first started in physics. Culture and gastronomy goes in the energy. Cycling around in the place of belonging. Woman, German working, student friend, girlfriend, daughter vegan human, Michael Jackson woman, student, student. I feel comfortable, comfortable where I put my own. On the exhibition People in the polls and case. Versicherung is not really important, but it is when you go in the Jugendliche. Die Hand besteht vor sie dar, stark ihr Seele zurückzugeben oder ein Sprach zu finden wie das zu sagen in der lage ist was die seele und When is we? When is we? We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we. We, we, we.