Kjell Krona, Læsarens skogsforskning Thank you. Well, for today, I invited three guests. One, Pillerin Jaik, Vittoria Montero and Tony Renaissance. All of them prepared some recipes for us. So I would start I guess with the starter. For the starter, we have a performance that was pre-recorded. Never gets old like good red wine, I would say. So what is the title? It is I didn't die, I just stopped going out. What a coincidence that this perfectly fits for right now, doesn't it? So, for this one that Pille Ryn-Jaik sent us, we need one video. We need a bit of sculpture. We need surplus and waste materials. And we have to combine them with also wasted and lost meanings. Meenix. Well, I didn't die. I just stopped going out with two other colleagues. Lina and Gregor. You have to cook it for 22 minutes. Let's go. Like this. 1 kg kvartal fisk 1 kg fisk 1 kg fisk 1 kg fisk 1 kg fisk 1 kg fisk 1 kg fisk 158. Ein außerirdischer Galertaufen droht die ganze Erde zu verschlingen. Ein außerirdischer Galertaufen droht die ganze Erde zu verschlingen. In einem B-Movie erobert The Blob die Leinwand. into this theater the show say let's now hear it in action The building is a Finally, found the charger. Just look at the map. How can I even get there? Will you stay there after? U2, Donaustadtbrücke and then the bus. We don't know how long we'll stay yet. It depends how it's there. We're still on our way. Okay, let me know how it is when you get there and if it's like open air or what? I suppose an open air, yes. I'll let you know when we get there. Okay, it's pretty nice here but I doubt we'll stay longer. But he's also playing for two hours plus one hour to get back, so I guess we'll hit the city again around half past three or four or five or so. Fuck. What do you mean? What are your plans anyway? The frontman of the band looks exactly like Lur from the girls, even with the hat haha It's just that I would want to be with you, but you're so far But come, later we can trip back together, no one even has some But yeah, I also understand we're really in the middle of nowhere. Plus it really smells like fish here. Oh, sounds good. Hmm, teleportation would be great. It's weird here. Max is also here. Lame as always. Keeps mocking Luca and Luca doesn't write me as well. I wanna find someone new. Polizei just here up B and Max is dick. Yes but I think Luca is as well. Where are the non-dicks? Ich weiß nicht. What's with the police? Well my experience says that you find these non-dicks when your girlfriend is trying to meet a dick at night. No offense please. I on the other hand really feel like Uber girlfriend tonight. Everybody's a hippie and I have golden earrings and a fur collar and if I was here without him I might have felt like a statement. Right now, just a girlfriend. Not used to it. But you are. It's different, but it's nice. You have someone who cares and thinks about you. Who feels and shares his life with you. Enjoy. Maybe. All is good. I'm just a bit confused. Exactly. All is good. I'm just a bit confused. Exactly. All is good, Lina. Pilarin calls Lina and talks for 2 minutes and 43 seconds. Pilarin calls Lina and talks for 2 minutes and 16 seconds. Lina calls Pilarin and og talar for 1 minutt og 3 sekunder. Pilarin kallar Lina og talar for 22 sekunder. Lina kallar Pilarin og talar for 3 sekunder. I'm sorry. When am I going to be in the spotlight of love? Like with all the misery and shit. With all the annoyance. I mean the beauty of ignorance. There will always be the ugliness. But I want to love it. The ugliness, but I wanna love it, the ugliness. Seeing each pore of a person in the ray of two strong lights and then, there is a person. I wanna meet that person, in it, covered in dirt. And love him or her, and nothing more. The pretending never works. We are all made out of dirt, literally. We are all bones, just another reproduction of dust. But, to be dust together, that is what I want. To be hurt together, that is what I want. I wanna love so much, against my better judgment. There's nothing good in love, but nowhere else either. It's a mayhem. A fucking chaos. But I want it. Together. Burning. Star Wars.JR東日本E233系電車 Il pavimento di Piazza San Francesco è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è molto bello, il pavimento è I go to Roman's place. I go to Roman's place. I convince everybody that the most important thing to do tonight is to watch Eurovision. It's in Vienna. I have already drunk three beers and I have a cheap whiskey with me now. My memory stops after the Estonian song which is the sixth one tonight. I wake up with Billa Ringoling. She has arrived in Vienna, she is downstairs. My knees, my elbows, my fingers are hurt. The bruises on my knees are huge. I have also lost one of my front teeth. That hurts too. I don't remember what happened. I don't remember who won. I let her in. Party, chitern. We start at my place with wine and cupcakes. And then we leave. We are on the list of the best people in the world. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the only one who can do it. I am the my place with wine and cupcakes. And then we leave. We are on the list and Pilar is going on and on about how it makes her feel like we're finally locals, finally fitting in. I stay there for four hours. I drink one and a half cups of wine because I don't want to wake up in a hangover. At the beginning when everybody starts to drink, I feel a bit uncomfortable but I manage to calm myself down. But I manage to calm myself down. I go home first. Pillarin is annoyingly surprised. I am proud. When I look around, I see a bunch of sad fuckers. Beautiful ones. We are all lost in our souls., striving for something unknown and far. No one feels comfortable at these parties. It's the fight with the self-image. Can I keep up with what I want to seem? Mirror, mirror on the dance floor, who sees me at all? I'm humble in my dance floor twitches. Mirror, mirror on the dance floor, who sees me at all? I dry the shadow of my uncertainty through the levels of my skin. Feel me, see me, I'm here. But my here is no one's here. Feel me, see me, I'm here, but my here is no one's here. Feel me, see me, I'm here, but my here is different from yours. We are all, three years of them all. Le is visiting. I worked the whole day from 7 a.m. till 7 p.m. After work we go straight to Misha's opening. We meet Pilarin and Maris. We decide to go out. We go to work because I want Pilararin... Ei, ma olen lihtsalt lihtsalt Verk'i näha. Me võime pillareid oma kooliprogrammi peale. Ma saan visuaalit, ma käin võtta võrre. Nüüd mõtlesin, et olen Verk' the drug dealer, hearing Pillarin's voice through the door asking if it's me who's in there. I've been missing for two hours. She almost had an heart attack because an ambulance showed up in front of the Verk. But it was not for me. We are happy I'm alive. And the party goes on. an ambulance showed up in front of the Werk. But it was not for me. We are happy I'm alive. And the party goes on. Terima kasih telah menonton! I just wanna party and not do it all the time Don't know what to do if I'm fine for life I just keep on looking, looking for love I don't think I'm gonna die, and I'm gone I just wanna party I don't wanna pretend Don't know what to do It feels like a lie I just keep on looking Looking for love Take a lot of love And look up America If something horrible happens at the party, it makes sense that it leads up to something good. All our past drama is supposed to lead up to something good. An evening, 12 hours, a performance, 20 minutes. This is what I can comprehend March 31st I drink, I guess, three and a half beers And a small glass of gin tonic But all that during a long time Oh, and two club mates too We sit at Gregor's place And then try to get into Grella Forella for free You need a sticker, a pen in the right color Me kasutame Gregors paigas ja teeme, et saada Krile Forelle või või või. Sa pead põhjast, reet ja midagi, mis on kõrge. Sa võid põhjast, kõrge, kõrge ja võid põhjast. See toimub aeg, aga see ei toimu kõrge. Me valgime Verk'e, aga me teeme, et me oleme kassi kõik. Me kõik kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik kõik, kõik, kõik kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik, kõik rääkid, kõik hõmjad. Läheb paigal. Ja siis jõudab Verk. Nad lõppavad kaks. Me võime uubanid toona ja näeme sõnumise. Kõik kõik jõudavad kõik kõik. 2. septembril. September 2nd. I drink seven beers and maybe something else, but I don't remember. Oh, and two club mates too. We sit at Gregor's place then go to Grella Forella. Or so we think. We never go in. We sit on the pavement between Grelle Forelle and Verk and hang out there. Our brother from another mother, Sam, is there. He makes another dealer go away by saying that these are my people. And we think we meet his real brother, the boss. He makes Sam go away too. There's another drunken high friend laying next to us, having a hard time. We wonder if we should go to work. We do a try, but decide not to. The effects are already kinda over. It's been different lately anyway. We go to Toho now. We sit down on some stairs by the Millennium Tower. The sun is already shining. A dude sits next to us and takes out the dog. He invites us over. And we go too. He leaves with two other dudes, brothers from another mother. ja meil on kõik. Ja me jõuame. Ta jõudab ka teid, mõttesid, kus on mu mõttes. Üks nii on mõttes töötama mõttes. Meil oli see keegi üks toona sellel festil ja ta näab meile video. See võib olla nüüd nüüdki. Nad on Nijeraaliga, Sam on Gambiaaliga. Kõ talked to once was from Ethiopia. At 11 we go home. This has become too much to handle. Oh god, I feel... I feel so old. I'm 27. No, I'm 26. Anyway, I'm the oldest one here. I'm suddenly a mom figure looking after my teenage son I never had. Fuck it. This society is so rotten. Addicted to the new, fresh. If you're not a vampire, you have babies and take your MILF ass to the family meetings. Mask is what I need since I don't fit into neither of those. I'm too old and I have no me sequences. Everything grown up is so uncool. Fresh blood, exchange rates on the blood cell market. Twilight forever. Constant stimuli and ecstasy, no day after. When ways are so determined, where is the promised future? Not at the next kebab stand for sure. When life is a permanent stock footage, everything is simplified. It's so easy nowadays to fall asleep in reality. I'm going to cross the final way back to the home of the postman. I'm going to go on the field, push forward, push forward. That's my X-ray and I just have to go. I'm going to go on the field, push forward, push forward. I'm going to go on the field, push forward, push forward. I'm going to go on the field, push forward, push forward. I'm going to go on the field, push forward, push forward. I'm going to go on the field, push forward, push forward. I'm going to go on the see it, but I'm fine, I'm fine I just can't feel it I can't feel it I think I'm gonna die I'm gonna die I just wanna party I can't hold it in Don't know what to do I'm fine, I'm fine I just can't be like it For now, take me higher Here I come Thank you. Thank you. Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Woo! Thank you for reminding us of how it was in clubs or even the names that we don't forget it. Thank you, Pederin. Performed with Lina and Gregor in Flug. This is what Flug looked like or looks like or will look like maybe again soon. So we come to our second dish today. For that, Tony Renaissance. Who We need 150g of liquid emotional landscapes. We need 300ml of Queic voice. We need two teaspoons of somber beets, one teaspoon of Dizzy synthesizers and 200 grams of radical softness. All of that together we have to bake with 380 degrees. with the label Tender Matter, we will get the right crust for the EP, Dream Reality, and it should be baked till June the 5th. Thank you. ¶¶ I'm out. Don't Don't Don't Don't Don't Don't Don't Joy Duh Joy Duh Joy Joy Joy Duh Die Die Die Die Die Die Die Die Die Die Toy Die Toy Die Toy Die Toy 🎵 I'm sorry. 이 영상은 제작지원에 대한 자막을 사용하였습니다. I want my gun to look like that I want my gun to look like that I want my gun to be free like that I want my gun to be free like that You don't talk about my gun like that I want my gun to be free like that I want my gun my cunt like that You don't talk about my cunt like that I want my cunt to be free like that I want my cunt to be free like that I want my cunt to be free like that I want my cunt to be free like that We don't want an institution We don't want an institution We don't want an institution We don't want an institution, no You don't talk about my cat like that You don't think about my cat like that I want my cat to be free like that I want my cat to be free like that You don't think about my cat like that You don't think about my cat like that You don't think about my cat like that You don't think about my cat like that I want my cat to be free like that Thank you. You've been telling me to shut up and be quiet I don't wanna stick to your rules You're foolish, are you? I don't wanna be part of your world Just stay the fuck away from my world You've been talking shit about me and my girl Just line your own set of lips Cause I don't care about your daddy and your sons Now, who do you think you are? You can't sit with us We are alone Let's take the treasure Baby take the treasure Baby take the treasure Baby Baby Baby take the treasure Baby take the treasure Baby Baby Through dangers and truth And hardships We are now at Upper Session Road Baby, baby, can't you see? I wanna take you home in the dark clouds In the wine, do you know? Don't try to control the days of future past Just clear my mind Just take the trash out Baby, take the trash out Baby, take the trash out Baby, baby Baby, take the trash out, baby take the trash out, baby, baby Terima kasih telah menonton!... Burning illusion Filling thread Mist seal Smell of the rough Craft of rest Smell of the crib Christmas wall Sway, a cripple, person, one, dead, two, pain, still, Sun Crash Steal Beware Sick And Innocent Fearless Best Sense Of Sweat Raw Raw Swim Raw Raw Whoa Swim Crib Prison Whoa Swim Whoa Swim So So Threat Must Say This Way No Creech No So Creech Crash Oh, so many Can't Hear so many Oh, step up Triple Hangin' Still Moving Side Crash The Roving Sun Crashes Steal So Any Ruin You Run As You Swim Bright as the sea In a sweat, blue Crashed walls Crashed walls Filled with I'm sorry. Crushed Crushed Crushed Crushed Crushed Crushed Crushed Crushed Crushed Crushed Crushed Crushed Crushed Me and my kitty cat, we're gonna fuck you up! Me and my kitty cat, we're gonna fuck you up! Me and my kitty cat, gonna make some pussy wet! She makes the girls jealous, she makes the creeps drool Pleasing and satisfying means the first rule Her black eyes teach them better what you don't Her blood is warm, watch out for the way she moves She moves me, she moves me She's a real reaper, she's still your mouth up Blood, gold hair, she lets me be on top With my baby, she's endlessly beautiful Our souls running free, she's moving with the wolves She moves me, she moves me She moves me, she moves me She moves me, she moves me She moves me, she moves me She moves me, she moves me Me and my kitty cat We we're gonna get you through me And my kitty cat, look at the F-U-C-K, body's shallow She's raised the bar high, she drives me insane She's pouring the poison down your ears and your brain My kingdom come, lovers, what the fuck? Don't come out on us, seven, eight, nine, ten On our way down She moves me, she moves me She moves me, she moves me She moves me, she moves me She moves me The clock is ticking, she's her own boss You know nothing, she always comes across Rage in the woods, she comes back to me I am not modest, I know what she needs Gotta raise the ladder, gotta bring the time Wait for a chance forever, I'm making my mom Don't even try to gather with love or mysteries It's not your business, your weakness, your worst enemies The clock is ticking She's her own boss You know nothing She always comes across Raised in the woods She comes back to me I am not modern I know what she needs She knows me She knows me, she knows me She knows me, she knows me She knows me, she knows me She knows me, she knows me Thank you. I can hear you, but I won't Sound like a trouble, well I understand There's a thousand reasons I should go about my day And ignore your whispers which I wish would go away You're not my boy You're just a rain in my ear And if I hurt you But you don't I'm spoken for, I fear Everyone I've ever loved You see within these walls My sorry secrets are unbound I'm blocking out your calls I've had my adventure I don't need something new I'm afraid of what I'm risking If I follow you into the unknown Into the unknown Into the unknown What do you want? Cause you've been keeping me awake Are you here to distract me So I make a big mistake Find someone out there Who's a little bit like me Who knows deep down I'm not where I'm meant to be Every day's a little harder As I feel my power grow Don't you know this cloud of rain allows to go Into the unknown Into the unknown Into the unknown No Insolent No How you want it? Do you know me? Can you feel me? Can you feel me? Can you show me? Into the unknown Into the unknown Into the unknown Into the unknown Tony, renaissance! Always good to have some wonderful music while cooking. Thank you very much. Well, now is the time. First of all, where are we actually? All of this, where I'm surrounded, is called the Echelräume. It is an independent page, independent streamings, all made by artists and media artists and people who work with it. So what is the cool thing about it? You can see a text chat. You can see a tip jar. And a tip jar is always needed in every town. So just leave something over there and it will come directly to the artists. You can see certain other things like next to the tip jar you can also see the backstage and this is where we are going to meet later on. You can also check out the calendar. What happens in the next few times. Thank you, Tony Renaissance. And now, ladies and gentlemen, and all kinds of humans, and we come to Vittoria Montero. Vittoria Montero sent us a receipt. Well, we need quite a few ingredients. We need one study of acting in Porto Alegre in Brazil. These times a day not so easy to get to but we can make it. We need 2013 production, directing and digital media. We need 200 grams of queer feminist collective works and projects. We need two teaspoons of opening the Austrian pavilion in Venice last year. Oh, it says I was also part of that. And we need one ounce of six-pack film. We need two ounces of Metro Kino. And then in the end we will get the story only starts with us now. Or die Geschichte beginnt erst jetzt mit uns. with us now or the story begins now with us. O que éramos antes nunca vamos ser. O exílio dá toda uma dimensão de universalidade, de ver que a nossa experiência no Brasil não foi única, que vivemos já coisas que são diferentes das que vivemos aqui, mas ao mesmo tempo não são tão diferentes assim. Chegamos, era nove horas da manhã e fiquei até as 6 da tarde. Como viram que eu era empregada doméstica, me tratavam assim com desprezo. Não me deram comida, me deixaram num terraço aberto no frio louco. Três mulheres desceram para fazer fotografia no pátio. Umas pobres mulheres. Parece que tinham sido espancadas e os homens tudo de metralhador atrás. Vi passar a... Mataram, você não soube? Eu não vi o que se passava lá dentro, mas ouvia. Eles chegaram lá em casa para procurar, buscar coisas. Deixaram a casa de pernas para o ar. Não se conformaram com isso e mandaram que eu, minha cunhada e minha irmã, todas três tirássemos a roupa. Ficássemos totalmente nuas dando voltas assim dentro de casa. Eu disse ao policial, por que eu tenho que tirar a minha roupa? Pra gente a prisão foi uma barra mais pesada porque não estávamos na pesada, entende? Éramos estudantes, o grosso fazendo trabalho estudantil mesmo. Então foi aquele fracasso, aquela desmoralização. As orientações em relação ao comportamento na prisão eram as mais ridículas do mundo. Aquelas do herói morto cantando a Internacional debaixo da porrada, militante não fala, etc. Foi nesse momento que o mito do militante herói, agente da história, começou a desabar pra mim. E saber que há mil pesquisas expostas, publicadas, saber que essas pesquisas vêm dos Estados Unidos, e que militares torturadores fazem cursos lá fora e que não são imbecis. É preciso entender que eles não são imbecis. Estão sabendo o que fazem. Estudaram modelos, se formaram com pessoas bem preparadas no campo do conhecimento científico. O exílio me deu maior consciência desse tipo de coisa e muita angústia. Desespero da ciência. me deu maior consciência desse tipo de coisa e muita angústia. Desespero da ciência. Pra mim foi horrível perceber que a ciência humana, em nome da defesa de uma sociedade melhor, dá instrumentos pra esse pessoal doente. Fiquei no interrogatório até as três horas da manhã. Torturaram a minha filha também. Torturavam na minha frente, gritando comigouravam-na na minha frente gritando comigo. Você não falou nada em São Paulo, mas vai falar aqui. Você mentiu pra todo mundo, mas não vai mentir pra nós. Até aqui você conseguiu tapear. A nós é que você não tapeia. Por fim nos levaram para cima. Me puseram numa cela e jogaram a Sandra noutra. Perto da minha. Uma cela suja, sem cama. Ela gritava muito porque entravam e torturavam ali mesmo. A cada momento chegava um tenente daqueles que queria forçar, até estuprá-la e tudo. Andei o resto da noite com esse tipo de tortura na minha cabeça. Ela gritando de um lado e eu sem condições de pensar direitos nem nada, num estado nervoso, tremendo, querendo raciocinar, pensar. Chegamos ao anoitecer no tal acampamento para refugiados, Tínhamos assistência médica e liberdade para passear onde quiséssemos, o necessário com todo o conforto. Tudo isso foi suavizando um pouquinho o meu primeiro impacto do exílio na Suécia. Eu fui a primeira pessoa a ter um exílio. Eu fui a primeira pessoa a ter um exílio. Eu fui a primeira pessoa a ter um exílio. Eu fui a primeira pessoa a ter um exílio. Eu fui a primeira pessoa a ter um exílio. com todo o conforto. Tudo isso foi suavizando um pouquinho o meu primeiro impacto do exílio na Suécia. Mas continuou chegando mais gente e o acampamento tornou-se quase que inabitável. Porque eram tantos, tantos latino-americanos e chilenos, chilenos, chilenos que iam chegando todos os dias. Sentíamos aquele peso, aquela dor horrível do golpe nos rostos que chegavam, nas pessoas doentes e cansadas saídas do estádio nacional, onde as pessoas eram torturadas. Outras que haviam conseguido fugir, que estavam perseguidas. E era um cotidiano de chegar gente. Ainda continua chegando gente até hoje. Quando digo que no exílio a história começa a partir de nós, digo isso em todos os sentidos. Referência social, referência afetiva para começar. Mesmo a relação com os amigos tem um outro caráter. O que acontece é que você se vê realmente sozinha. Então você experimenta tudo muito intensamente. Sua solidão você experimenta tão intensamente, sabe? Aqui aprendi que você tem que tirar as forças lá de dentro para sair da fossa, da angústia, ficar deprimida e continuar fazendo as suas coisas. Cada vez que eu saí era como se fosse um processo de alimentar a minha força como ser humano, uma sensação de poder, usar as forças latentes em mim, que eu não acreditava que possuísse. Então me armava e conseguia analisar friamente o que estava acontecendo, o choque cultural, a ideia louca de voltar correndo e aquele grilo. Se eu voltar, não tenho nada e ainda tenho que dar satisfação a muita gente. Se eu voltar, não tenho nada e ainda tenho que dar satisfação a muita gente. Não sei, o meu medo maior de voltar para o Brasil é de ver que você sai, você volta e talvez não seja ali o seu lugar. Porque é difícil de esconder o nível de liberdade e de autonomia pessoal conquistada. E que as mulheres lá não estão tendo. O que aconteceu é que fui perdendo os meus complexos de culpa pelos erros cometidos na cadeia e aumentando a minha capacidade de fazer uma autocrítica na prática, que significava pra mim começar a fazer o que não tinha feito antes, ter a franqueza de dizer o que pensava, porque se eu dissesse as pessoas iam dizer que eu estava desbundando ou coisa parecida. Resolvi então formar o que chamaria um primeiro agrupamento de mulheres brasileiras para participarem dos trabalhos voluntários. Na primeira convocação havia mais ou menos 200 mulheres. Como se construir uma escola? Surge assim a ideia da criação do Comitê de Mulheres Brasileiras no exterior, que chegou a ter 250 filiadas, a maioria donas de casa que nunca tinha tido a menor participação. Com o golpe, todo esse trabalho foi perdido e o comitê dissolvido, porque houve de saída um ataque generalizado a toda a colônia estrangeira radicada no Chile. E foi aquela dispersão. Umas vieram para a Suécia, Suíça, Itália, França, Holanda e outros países. Se distribuíram. E quando pensei que havia terminado o Comitê de Mulheres Brasileiras no Chile, começava a haver um fenômeno muito interessante. Foi o surgimento, em diferentes países da Europa, de organizações, grupos, comissões de mulheres brasileiras. países da Europa de organizações, grupos, comissões de mulheres brasileiras. Ou seja, uma mulher, duas mulheres, três mulheres excepcionais não vão resolver o problema intrínseco da condição da mulher. Na verdade não basta o seu florescimento individual e, em certa medida, parente, se isso não se fundir num esforço da coletividade feminina, da população feminina, no sentido de que todas as mulheres tenham efetivamente a mesma possibilidade. O sonho de todo mundo é voltar a viver no seu país, mas o meu país, será que é esse que tá aí? Nå er det en av de fleste stående stående i landet. 1.0 1. Klikk på denne bildet. Undertexter av Nicolai Winther Thanks for watching! Thank you everybody for the freshly baked film. What you just saw that popped up, it happens sometimes, but it's always the good moment when it is, because it's always the reminder of the donation jar. Donation jar, tip jar, donation jar. You find it right up there. There. And just leave something for the artists there because you know they can take it my loves so long this was cafe adele this time in the kitchen cooking some three different recipes from three wonderful artists that they suggested me. Thanks for being part. Pellerin, Vittoria Montero, Tony Renaissance. And see you backstage.