Herzlich Willkommen zu Radical Broadcast hier in DorfTV. Ich bin die Opathe Redlips und werde mit euch jetzt drei Stunden ein bisschen euch zu zu versuchen eine digitale skulptur zu formen ein bisschen überall zu sein wie ich rede schon wir jetzt bin ich alleine in diesem wunderschönen hof von der kunsttournee aber ich bin nicht alleine weil wir haben zwei verschiedene Körner. Einer sehr beweglich und eins auch statisch wie ich. Nicht wie ich, bin ich statisch, aber wie ich jetzt gerade da bin. Und werde ich immer wieder Gäste haben und Interviews machen. Aber wie es alles weitergeht, dann werde ich jetzt dann gleich auch passen zu meiner kollegen fit for ars clemens ak bronco und bibi bitte sehr Herzlich willkommen hier vom höchsten Turm aus Linz. Stimmt das? Wahrscheinlich. Auf jeden Fall ist es der Turm, den wir uns heute vorgenommen haben. Da haben wir nämlich gleich einmal etwas getan, dass wir uns gleich etwas ignorieren. Das ist ein bisschen unser Motto heute, oder Baby? Ja, fit for us, das ist unser Motto. Moment, ich muss noch kurz mein Handy in meine Sportlhosen einstecken, damit ich auch fertig bin für die letzten Stufen. Nein, es gibt ja so viel. Wir sind nämlich gerade am Turm des Lönkeos. Wir haben aber noch nicht ganz aufgeschaut. Diese Spannung wollen wir euch nicht vorenthalten, oder? Auf was gefreust du dich? Auf die Erkenntnis, schätze ich mal. Schauen wir mal, was es da oben zum Sehen gibt, oder? Aber warte noch vorher, ich würde es noch ganz kurz vorher abchecken, was eigentlich unser Motto da ist und warum wir da heute sind. Genau. Fit for us ist unser Motto und fit for us wollen auch wir sein, weil es gibt so viel zum Entdecken von der US, rund um die US. Künstler, Künstlerinnen, welche, die AAS hassen, welche die die AAS lieben. Es tut sich auf jeden Fall was. Und wenn sich was tut, da sind wir dabei. Und dann... Wir wollen uns nicht verwehren. Und jetzt kurz noch aufwärmen oder sind wir auf dem Sprint? Ich glaube, es geht gleich los, oder? Warte mal, nur kurz so zu den Zeichen runter. Kannst du zu den Zeichen runter? Dehnen ist gescheit. Oh, jetzt ist das Glockenspiel. Ah, Glockenspiel und für den Sprint. Gehen wir los. Der springt sogar. Höhen, wie sagt man da? Bergwertung. Die letzten Meter überhol ich jetzt die Kamerafrau. Die ist so langsam. Na komm, na komm. Hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp, hopp Die Regie ruft da. Hallo Regie? Hallo? Ich glaube das war nur ein Hosentaschenanruf. Alles klar. Okay, also ich erwarte mal da drinnen. Können wir kurz über den Linkeos reden? Der Linkeos verspricht uns ja... Hallo? Gabi, wieso rufst du nicht... Der Bronco ist übersteuert. Dann rät der Bronco einfach weniger und ich bemühe mich jetzt, dass ich in Lynkeos seinen Traum erfahre. Weil da geht es ja ein bisschen darum, der hat so eine Durchsicht und Weitsicht. Und ich hoffe, dass wir, wenn wir jetzt da anfangen, die totale Durchsicht haben. Schauen wir uns das an. Das trifft sich gut. Fuck, ich sehe überhaupt nichts. Haben wir schon etwas da? Können wir uns die Gänser anschauen? Ja, das passt. Sehr gut. Also, nachdem wir da jetzt gar nicht die Aussicht haben, die erwartet habe, können wir jetzt zumindest noch ganz kurz schauen, wo wir hinwollen. Wie willst du sein in Zukunft? Du, ich bin recht zufrieden. Okay, dann bleiben wir so. Wir bleiben so, wie wir sind, aber wir bleiben dran. Das ist auch meine Erkenntnis jetzt aus dem Turm. Du hast uns immer beide, du brauchst nur einen Spiegel für mich. Okay, also mit der Weitsicht war es da nichts, darum würde ich jetzt einmal sagen, wir schalten einfach wieder zurück zu der Elli, die sitzt nämlich in ihrem Radical Corner oder wie sie nennt mushroom universe bitteschön liebe regie Musik Hallo, willkommen in der Welt der Pilze. Der Hannes, Hannes Buchwieser und ich, Elena Katharina Richtsfeld. Wir befinden uns da im Ausstellungsraum des Mushroom Universe. Und um was geht es bei uns? Und wer sind wir? Ein Wort? Schwammerl. So Hannes, was tust du da eigentlich herum, Synthesizer? herum synthesisieren? Ich mache schöne Geräusche, so gemütliche Klänge, die so die Pilze repräsentieren. Alles was ich dazu sagen kann. Okay, Herr Kampucha, was sagen Sie dazu? Ich bin mir gerade nicht sicher, ob er erfreut ist oder nicht. Naja, jedenfalls, jetzt habt ihr uns einmal kennengelernt. Wir werden nachher wieder live sein. Jetzt muss ich meinen Hannes fertig schminken, weil wir es natürlich nicht rechtzeitig geschafft haben. Wir haben uns vorher beschäftigt mit Problemlösung, haben natürlich den Ton nicht reingekriegt. Also bitte zurück zur Deo in der radikalen zentrale Hallo, da bin ich wieder in die radikale Zentrale. Jetzt habt ihr schon einen Überblick verschaffen, für was alles jetzt passieren wird. Es wird richtig sportlich, es wird richtig schwammig. Und jetzt habe ich schon meine ersten Gäste da bei mir. Und sie sind gar nicht unbekannte Gesichter da in DorfTV. Man kennt sie schon von, ja super hamid und amit sorry und andrea im doing good do you want to drink something Yeah, I'm ending my drink now after I'm going to take something more because we have a cool bar here and it's so hot. And from Dr. Va. Yes, and for Dr. Va. Gratis. Thanks. Thanks for this opportunity. I have a question. How did it happen? Your YaSupa? What was the idea behind that it's very funny format I was I was searching a little bit before and then I was like oh cool because I eating and this everything popping up everywhere and so and then talking about I don't know something nothing it's really fun it's really really nice idea how did it come how did it I think me and Andrea were hungry yeah we're hungry and then make the show because they always haven't off the bar this eating show is like we made this joke we're like oh we can eat but for free yeah and then they took us kind of seriously was okay you can eat for free but on camera I was like okay okay I'll, I'll do this. I don't want to eat for free. And then a few months later we ended up making the show. Yeah, and then Ahmed is an expert of touch designer. So then we used this program to make a whole, a bit more or less sort of experimental montage of the show. We did celebrate the batch in the background and we, because people usually hide this kind of process We're doing the show but we want to expose this process and celebrate it in a way and since then we are eating a lot Yeah We have this wonderful like the green screen in the back kind of like 80s style with like clouds or we choose like a different Theme for every episode according to the guests we have and we're meeting interesting artists also from linz, which is like really nice Talk about their taste And art yeah yeah very good very good it's really it's really really really cool so vita so and uh i have other question and it's about as electronica you're making a performance a work it's called Godspeed through do you want to tell me something about it more so I've been fascinated by this idea of composing using the Doppler effect and so with the collective I'm working with which I'm part of we we gave life to this experience which is basically a speaker mounted on a bike in the velodrome and the cyclist is doing laps around the velodrome and the pitch of the composition is changing according to the speed of the cyclist it is a sort of like made the meditative experience i say hi to the cyclist uh and andy liscombe and if you want to come it's going to be later today 7 pm at the hello yellow velodrome by shakamaya in the industrial area lynn's it's really cool yes so i did an amazing work at post city do you want to say anything about it please i'm happy it's working and it's almost finished you know this is my. Tell me a little bit about that work that you're having in Post City. Yeah, I mean, like, I think it's also a funny idea related to machines and how we interact with them. And mainly mocking the way people trust machines so much. So I make a... Yeah, somehow it is with robotics arm behind the black fabric and it's coming out of the wall moving with you. Das ist mit einem Robotex Arm hinter der schwarzen Farbe und es kommt aus der Wand, bewegt sich mit dir, aber wenn du mit ihm spielst, denkst du immer, ob ich spielen soll oder nicht. Manchmal interagiert es und manchmal nicht. Es ist wie ein Fuck-Off. Ich weiß nicht, ob ich das sagen kann. Ich habe gesagt, es ist wie ein Piep. Piep. Piep. Ich weiß nicht, wie viel Zeit wir haben. Ich liebe es, mit euch zu sprechen, aber ihr müsst... I don't know how much time we have I love it to talk with you guys but you have to go down so yes like a rehearsal because as you can see and the new entries my my broken ankle I tried to ride the bike away I was too fast and then the ankle broke and so we had very few very little time for rehearsal so these days we are like doing everything... Stress. Yeah, a bit of stress before the performance, trying to fix everything, having everything working. We know how hard it is to have stuff working before us, but we'll make it work. Yeah. How long are you working on it? You, how long are you working on it? On my project? Yes. I think since last month, I guess, I started mainly focusing more and more on the developed idea. And for you, Andrea? I think the concept started actually at the beginning of the year, but I had a lot of no's because we tried very different concepts on a larger scale. And to have the goal from Schachenmayer and having the collaboration of the Velodrome and the cyclists, it came together a couple of months ago. So it was a a very like tight time window to work with but we made it work thanks for kyoka as well and i thank you also so much that you have time to to come here and to yeah we were just passing by and we saw like some drinks and camera yeah that's no good so that's why we say hello everyone watch our show thanks to people behind the camera next step is yeah thank you we need a second round yeah yeah yes so have a drink let's you do you want a beer i'm going to give you a beer in this beautiful bar that we have here i don't know if you can see everybody here fantastic i think is is the work from Bibi a beautiful bar with music but today's no music is just drinks so I'm going to give you a beer I don't know how it is all my colleagues Bibi and Clemo if they are already ready for or no then let's do this more drinks more drinks drinks are always good So beer, can you please hold this for me? You want to talk meanwhile about something that you want to say end of the for today Is the second beer I'm gonna have today and very thrilled because I was in my bedroom all day So it's nice to go out and have free beer. It's an achievement. zu gehen und freie Bier zu trinken. Es ist ein Erfolgserlebnis. Ich lebe jetzt mit dir. Ich bewege mich wieder. Ahmed ist mein Anwesender heute. Er macht einen tollen Job. Ich fühle den Unterstützung. Die ägyptische Gemeinschaft ist mit der italienischen Gemeinschaft verbunden. Die Bier ist offen. Tschüss! Kannst du trinken, wenn du fährst? Er muss der Soberste sein. Er ist mein Fahrer. Tschüss! Ich bin wieder auf der Szene. I'm here, back on the scene. Back on the scene, back on the scene. So, I think that you are also celebrating 20 years of InterFaceCulture. You were talking to me. Do you want to say happy birthday, InterFaceCulture? I want to say happy birthday to everyone at InterFaceCulture. Christa, our professors, Christa, Laurent, Manuela, our department, our colleagues, our departments, our projects, our shows, so thank you. It's a big effort for everyone, it's very nice to be part of this. To make this 20 years. 20 years is a lot. It's a lot. How they can go all this actually, this is too much. It's a big up to Interface Cultures. So shout out to our friends. Another one, another one. Yeah, cheers for our friends. Cheers. Cheers. Cheers. Cheers. Es ist ein großer Applaus für Interface Cultures. Tschüss! Ein weiterer! Tschüss für unsere Freunde! Tschüss! Herzlich Willkommen hier am Hauptplatz 23. Wir sind hier mit Mika und Flo. Und Bronco. Und hier ist der Ort, wo Yoga mit Kunst zusammenfällt. Und Kunst mit Yoga im Ataraum. Weil sie einige erfreuliche Yoga-Praktiken wollen, yoga practices what you can do is you just place your hands on the knees and you start the thong out and then you come up and that's the goddess pose combined with lions breathing breathing. And after this you start tapping all over the body. I can also, you tap all over, on the hands, on the, up, up, up, and then on the hands, shoulders. Yes, of course. Then you tap on the top of the head, back of the head, okay, face, a little bit of flapping on the face. And now you should feel ready for a whole evening of live transmission. Oh, yes. Yes, yes. Thank you, Mikael. That helps a lot. You're very welcome. But you're not only a yoga teacher. Tell us, please, where are we here? What are we doing here? And what can we see in this kind of magic room? So this is really a magic room. There's not a joke. Which belongs to the Hauptplatz der Anzwanzig building. This is the Dachboden. And what I'm doing here is I'm bringing contemplative practices from yoga and the arts in one place. And I want to welcome Iris Meyer! Who is the mastermind of this project? How Plas Transfantzik I mean. So Iris, how do you feel about hosting the Atteram here? About hosting you as a person? Me as a person? It's fantastic and Mika really caught me with the idea of really having an open space and hidden space and I just said hey come on let's do something and she's doing something and Art the Room is about contemplation and we love it to approach in a different ways to contemplation it's perfect. Thank you so much for your support and for having me here. No, no. So we already did a refreshing yoga practice. I see that you are very refreshed anyway, so you don't need more. Thanks to you and some other people. Yeah, we did already a Faucet in the morning. So here what I want to show is, this is the result from three events. You can just go around. In one of them also Iris participated. Iris participated together with other people where we started with just lying down and relaxing completely and bringing all the attention into the body and from there giving impulses to different body parts so that we can start moving and leaving traces in the space. So on the paper, on the floor, you can see here, or all over the space, on the walls. on the walls and approach in a completely different way any viewpoint towards textures, towards materialities, towards space itself, towards the perception of our own body and what comes up. So we kind of shut down the mind and start moving and expressing whatever has to be moved and expressed from the body and we have a special guest here today ah besides uh this is these are the remains of three events which happened here uh but there are two more events on the 12th and on the 19th of September which are so I have the artistic residency here until the end of September and I really would like to invite people who are artists no artists yogis no yogis doesn't matter we are all equal in the Ataraum in the realm of in the space of nounness and presence, to come and just contemplate together. And, of course, look to the world and to ourselves in a different way and kind of change our patterns and our perception. So this is my invitation. And we have a special guest. So my colleague Florian Weinrich from the DARF Collective, who is the developer of the DARF augmented reality editor and application. We've been collaborating since five years almost, doing dance and augmented reality projects in mostly Linz and all over EU actually. We did some international projects and we have a small international project here today. It's actually happening in the campus exhibition in POS City. But we can also have a look if you want to. Let's see if it works and you can see. Wow. Spooky. So the performer from the exhibition in POS City basically is also here in the other room. The performer is a forest witch and her dress is made from the garbage from an amazing national park in Western Romania. So the whole campus exhibition of the Dua Mâna Association, which is the speculative lab. You can see it is related to ecological disasters in Western Romania. And our partners from there have really interesting works besides the whole of course campus exhibition. So, it was strange. Can you see it? It's so strange because Mika, you look, we are here, we are so light. There is Mika, but there is now this other person. A spirit, suddenly the spirit. And this is for me like, yes, we are everywhere in the same moment. Yes, we are. Because this is kind of Do Dofty Ford challenge today We are trying to be everywhere and look now she's she's there and we are there It's so strange. I can't believe it. Well, we love introducing performers in our augmented reality So I couldn't help bringing the forest witch which is reminding us of the ecological disasters in my Atterham in our Atterham because it's not mine it's a co-creation so Bibi you come you also have to come that's wonderful and you come with this t-shirt this is so Instagrammable really? I mean of course And you come with this t-shirt! Of course! This is so Instagrammable! Really? I mean, of course! No. Okay, so what else can I tell you about this place? I mean, we love it to be here because we, just to tell you what we've seen till now, we are kind of in a sporty mood, you know, and we also have been to the Turm, Lykios Turm, and we tried to dream Lykios dream, but we just saw ourselves there, trying to be more fit for us, and now we came here again to the Dachboden, in a very high point of the Hauptplatz. And I already said to Bibi, you can't, when there's us, Elektroniker, you can't see everything, because everything is happening at the same time. It's like this, everything happening at the same time in your room actually. So this energizing part of our fitness journey today really gives us the kick that we need for the Ars Electronica, I think. Amazing. We have to admit that we also took a little bit of the elevator to get up here. No. Yes, because Clement said. What did you say? So you don't have to overdo it. So you have to find your own pace. That's what I always preach. That's a very yogic approach. I would say the same. Yeah, really. Do you want to be my assistant in my yoga classes? I would love to. So because I have the yoga channel on DORF.TV the next time, would you join my lesson? Totally. When we, when we film. So it's a deal. Deal. Yeah, super. Amazing. Tell us more about, uh, about, uh, about this yoga and art thing. Tell us more. Shall I get now serious? Yes, please get serious. Well, I'm actually, uh, what I didn't have time to tell today in the morning at my Pecha Kucha presentation with the occasion of 20 years of Interface Cultures is that I arrived here after 15 years maybe of working with interactive video projections and dancers and music. And I was always kind of very interested in the experience of the dancers. And I did in my artistic research lots of interviews in my residencies and so on. And I was kind of, please tell me, please tell me that this experience changes your perception your perspective and they're like yeah it changes but not really well now when I I'm here and we are all doing these contemplative practices and when we are all in in the body and really paying attention to what's happening and really kind of having this haptic experience, you know, of touching the board and touching the paper, then this is another materiality, then you have the pastels, then you have the paint and stuff like this. I, people told me without even asking them that their perception changes and that their perspective changes. And I really think that there is nothing more powerful than bodily experience, but like real bodily experience with all your senses and especially with the sense of touch and really observing this, which gives, which leaves a very impactful change of perception and makes us more sensible. Makes us more sensible. And I think this is also the fine arts, the analog arts. This is very helpful for that. So, of course, I used to be a fine artist, then I went into digital arts, then now I'm back to somehow fine arts and analog. And I think it's very useful to have this, you know, going from one to another and not excluding anything, because the digital, I really believe, because we perceive it mainly with our eyes and with our ears. And it kind of very often stays here up in the head and this is also my experience and then and then it's not so impactful it just comes and goes i have the feeling so i don't know it's not like i have to prove something with this other arm there is really nothing to prove and i'm just you know super curious and and let's see what happens on the 12th and on the 19th because on the 12th I have here a philosopher, Florentina Hausknot, who is also a yoga teacher and a sitar player and she will discuss some philosophical questions from the perspective of Alfa Noé who wrote a lot about dance and choreography and how choreography is actually disorganizing life, not organizing it, and about different... So the idea is to get out of our patterns. If you are a professional artist, go out from your professional artist pattern. For example, we had a painter, Thomas Laszlo, and he painted here... Ah, now you can still see it in the last session. And he painted here, you can still see it in the last session. So this is the dry trace of his painting in which he used only water. Only water. He was like, I can experiment. I can experiment painting like on those two chairs and just drawing like this on the wall you know from any any uh any uh position and then making an ephemeral painting i mean if we cannot uh explore and experiment these kind of things here where you know that's so nice so I really hope this gave you a little bit of an idea. I have an idea and I also feel like I have a little more of a spirit for our journey. Yeah, absolutely. What are you? Yeah, I'm really looking forward to collaborating on this contemplative journey in your space and also I'm really looking forward to what we are going to see today already and what we are going to do. I think the next thing you gonna see is the Zentrale because we are heading now to another artist who is also really into body stuff. I think you know him, his name is Csaskar Harn. Oh, we met last evening and I invited him here and he invited me at his space. Ah, I hope. I heard he doing something with massages and maybe we get some massages. We should definitely check it out. We check it out. Please now back to the Zentrale. Danke, Mika, für dieses wirklich tolle Interview. Danke. Die schöne Kunst, einer von den Stopps, das Bibi und Bronco jetzt gemacht haben und bin gespannt auf die nächsten Stationen, die sie besuchen werden. Ich habe noch immer bei mir meine liebe Gäste und ich Ich weiß nicht, wir reden jetzt da über sehr viele Sachen und sehr viel unterschiedlichen Material. Ich wollte nur wirklich wieder mal ins Herzen legen, dass wer Zeit hat, dann um 7 Uhr, 7, to go, the performance, Godspeed, and then go to Post City. Vorher habe ich gesagt Postgarage, aber jeder weiß, dann geht man nach Post City. Vorher hab ich gesagt Postgarage, aber jeder weiß, dass es in Graz ist. Post City, und die Art-Exhibition von Ahmed. Was ist das Name nochmal? Die von der Exhibition? Ja, es ist von der Campus-Exhibition von Ars Electronica. Und es ist vom Namen unserer Exhibition, NUS. NUS? exhibition at us arts electronica and it's from the the name of our exhibition snooze like we in in french yeah i think no no no no no and this is uh means we yeah wait 20 years of andrea and 20 years of interface cultures and of the vow is also hosting us september are we going to publish the new episode in september i think we should do this soon people are probably waiting to eat i guess we're doing the montage these days then we are ready to deliver the second episode there's also a third one in the almost finished as well yeah so it's gonna be released very very soon so released very very soon so really good and what do you did you make for us this work and they say oh give me something that has to do with hope was it like that i don't know i think i was hoping for getting paid for that you know this was the real hope i guess i don't know no hoping it was more like having a chance to do i don't know at least for me it was like a chance to do something on a big scale i never i usually did i work with sound i never did anything in a large venue velodrome is the biggest venue i've ever worked with i don't know which is the biggest like space you ever you work with do you ever work with like a big big space When you have experience with like TV theater Well, maybe during work in a theater back in the days when I was working in events and stage setup Yeah, I think the biggest event we I did actually it was for like 35,000 people attended. Yeah, was like a stage design in cairo yeah and you what about you tell me hi biggest artwork i don't know it's like concerts The biggest artwork? I don't know, like concerts? You play music? Yes, I think. And maybe DJing. DJ Red Lips is my DJ name. So I was playing for Schachmeyer. For Yellow Sounds. like you know i often say i don't know it's a lot i don't know how many people i never i never i ask but yes this is maybe the the biggest that i that i've done is like with music yeah not with art so it's other kind of art you know it's curious because like i i tend to make also the dislike distinction between when i make music and when I make art. I don't put them under the same umbrella. I don't know why. I also don't know why. I think it's always this line that's cutting it. This is art and this is music and it's not true it's both it belongs to the arts you know when it's arts you have like music a lot of stuff no so it's it's called art it can be also called like uh expression it's an expression at the end right so it's also like it can be like expression of you so it's art in a way i kind of feel when i'm making music it's there's way more like discipline involved than when i'm making art is more like about being playful and when i'm making music it's like we i really have to like put my ass on the chair and spend like a good few hours each day to get something done with art sometimes it's like oh i got this like idea in the middle of the afternoon and then i i don't know it's it's less hustle it's more about like intuition for me at least i don't know what's your soul is more about like intuition for me at least I don't know what's your intuition how do you get like how do you get work done it's like an idea or you have to work on it constantly when you get something like well I don't know I think it the idea hits me first or a question and then it takes time until I question this but usually I let it go and then if it's come again to my mind so it means that it really deserved that I have to question this and then I start to question this again and again and see like how I can express it in a funny easy way or yet playful way yeah because I mean this also very good like light designer and we did some events together recently one was like uh like a ambient sauna and then we're doing the setup and then I'm at like 15 minutes before the opening was like I got an idea we have to redo like a part of the setup I was like are you for real I was like no no no trust me trust me and then the idea was so good I was like okay that's how it works like yeah he has this thing and he just has to follow it so i mean i respect how people get their their job done you know how they express their intuition their creativity you have to let it go no yeah that was so cool idea actually yeah what you did yeah because i also think like people have a different um different process to express themselves so people have sometimes this is like this and they make it until the end and no more other ways and other is like changing all the time until you get like a little bit of salt a little bit of pepper a little bit of This and then coming into now now it is good. Yeah, and so I'm also like that I like a lot when stuff happen and sometimes I do something like listen to music I like to have different moods like oh, I'm really sober and pissed and listen to music and make something then now I'm really like now drunk and then I do this and I see oh now I listen this again what was the difference between this and this and I take all together and make this one set or like I like a lot too when I have concerts or so with bands like they have a feeling and I catch this feeling and I like to write after about the feeling Not before so it's yeah and always changing the text Until it's like yeah, I like it. I Hate I hate writing a text for artworks this I think this is the most a text for artworks this I think this is the most thing like I really hate because sometimes I also read text of other artists my also I read my text and man like sometimes you see long text complicated for nothing you know like it's doesn't work this text yeah yeah it depends I mean I think you need to give it time I'm not not big into like writing as well it's like somehow like this. It depends. I mean, I think you need to give it time. I'm not big into like writing as well. It's not something I'm very exercise with, but. We have to move back. They have to go to the velodrome. Catch these guys there. Catch these guys at Dorte Fall. Ja, super. And it was a pleasure to meet you guys. Thank you. Thank you so much. Thank you so much. Thank you. E foi um prazer conhecê-los. Muito obrigada. Muito obrigada. Obrigada. E estamos dando a ele. I'm sorry. Wirken die Pilze schon? Oh, sie sind wundervoll. Liebe Leute, willkommen zurück in Radical Corner vom Mushroom Universe. Was ist eigentlich das Mushroom Universe? Ja, eine super schwindelige Bachelorarbeit von meiner Person. Dabei handelt es sich um eine Mini-Ausstellung mit Mini-Projekten zum Thema Pilz. Jedes Projekt minimalistisch und einfach und jeder, auch du, kannst es zu Hause nachmachen. Was haben wir alles? Naja, wir haben Trockenpilze, wir haben Lebendpilze, wir haben Fotos, wir haben Mikroskopien und wir haben das größte Schwammerl da, nämlich den Hannes. Hallo. Und natürlich den Herrn Kampucha. So, aber nun ist das Ziel, dass wir das mit Ziel sich spinnen lassen und wir wollen den Raum öffnen. Jeder und jede darf vorbeikommen und seine und ihre Kunst ausstellen und präsentieren. Sei es jetzt oder sei es die nächsten Tage, solange das Ars Electronica Festival läuft. Der Raum ist da und er freut sich über jede Kunst, die er ausstellen darf. Und wir haben einen laufenden Betrieb momentan und das zeige ich gerade, wir haben gerade einen Ausstellungsbesucher, Daniel. Okay, der Daniel läuft weg. Magst du einen Kompucher? Ja? Genau, wir haben einen laufenden Betrieb, das heißt wir werden immer wieder mal so unsere Interferenzen mit Ausstellungsbesucherinnen und Studiekolleginnen haben. Da Max, Daniel, Max, Entschuldigung. Wie ist er? Magst du uns einmal erklären, wie es schmeckt? Funky. Es schmeckt etwas funky, aber es ist sehr gut. Okay, der Kambucha schmeckt gut. Das ist auch noch möglich. Also ihr könnt bei uns vorbeischauen und den Herrn Kambucha kosten. Herr Kambucha, was sagen Sie eigentlich dazu, dass die Leute Sie kosten? Herr Kambucha wirkt sehr erfreut. So, liebe Leute, also das Mycel darf nun weiter wachsen in Ruhe und Frieden. Lasst uns miteinander Zucker und Nährstoffe tauschen und immer weiter kommunizieren über die Ebene des radikalen Broadcasts. So, lieber Hannes, leg los und wir schalten bitte zurück in die radikale Zentrale.