I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth I am a man of the earth Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, je ne suis pas Et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, ero, at all Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, et au, etci, et au, et au Et oh, Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! at all at all at all at all at all at all at all at all at all at all at all at all at all at all Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca Et au, inesca A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O A-O-S-I-O Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, at all Hello? Hello? Hello? Hello? Hello? Hello? Hello? Hello? Hello? Hello? Hello? Hello? Hello? Hello? Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Edo, Et au! Et oh, et oh, et oh Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et oh! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! Et au! A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a A-o-u-s-e-a I was invented in 1884 in Germany. More precisely, my previous version. My father, oh, he was a very clever man, Paul Knipkoff, became famous just by inventing me. But he never built me. Many clever people and exciting years were needed till I became the mass medium I am today. at all at all at all at all at all at all at all at all at all at all at all at all at all at all Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Hello! Norske Ropsten Stavros Stavros Stavros R1 The The Røde Røde R1 The water is very clear and clear. When you are the TV, you will never have holiday. In 1951, I had about 300 viewers in Germany. Now the whole world is watching me. And I have big, very big competition. Even me, myself, am competing myself. Why? Oh, the Internet. The World Wide Web. So not the Internet itself, but the people. They provide faster and far more content than me. Even I work with it sometimes. But what do they do when they have some days off? The water is very clear and clear. The The The water is very clear and clear. The water is very cold. The The The Røde Røde Rengar The water is very clear and clear. The The water is very clear and clear. The The Vågåsjärden The water is very clear and clear. The The Røde Rød Våldskapitalet The The The The The Ketra, sveit, morrensveit. I have my beginning in the times of propaganda. And that's why the internet thinks that it's the one with the white west. I try to search and filter, but the internet can be fluted with information, true or false. Some people also pay money for letting some people know a specific truth. Even though it's not scientifically proven, I still don't know if I'm losing or winning the war of information. I'm losing or winning the war of information. I'm prone to errors, but they make me alive somehow. Life, that's the situation where you shouldn't dare to handle yourself. But when you're thinking about handling yourself and what you want to say, what do you say? The truth or just your truth? Your family's truth? Your society's truth? Have you ever asked yourself about your own truth? That's what I do. 24-7. Are you still a musician when nobody's listening? Well, maybe you're not, but there is a simple solution to that. You can just become two people and one of you is the listener and the other writes. So sometimes, well, sometimes I get so paranoid about the part that is writing because it just doesn't feel like me at all. And I forget why I chose words, why I wrote stuff. And people relate their pain. I relate new pain. So the suffering itself is quite exchangeable. So what is even true music? The truth I guess the truth is in the nature of the act because if I lie it also tells you a truth about me in the context of your own knowledge. So your music mainly tells us something about you? No, not that. I guess it mostly tells you something about yourself. And it also tells me things about myself. But in the end of the day, the listener chooses how they let things affect them. But mere choice is not a very scientific method. Not if you skip research. Research is very important. Anyway, music is not exactly science. No, but I do think that serious musicians are always looking for the next best truth. They discover something. They assume their listeners are doing their own research. They assume some kind of musical literacy. But now I'm starting to sound like a snob. Are you a snob? You know what? I think you should get entertained. Just be entertained. Make up your mind based on whatever I'm saying. That sounds like a great idea. Perfect. So what song are you going to perform for us today? Well before I know what to, I have to wonder who is listening. Are you capable of understanding? And wouldn't it be personally very hurtful if I were to assume you couldn't? I'm not ashamed to say that I care who is watching. I might not care as much as the algorithm does. I'm not going to look into each one of your lives to ensure that I get who is watching. I might not care as much as the algorithm does. I'm not going to look into each one of your lives to ensure that I get to you, but I do hope things reach. In theory, all you have to do as a listener is to listen attentively. So put down your phones if you can bear to, and if you can't, I sorry you're here and we're here and this is our moment of truth Aufgelöst, wie Chlorid in Wasser, umgeben uns die schwindenden Reste einer aufgeklärten Welt. In einer lebensfeindlichen Umwelt sind wir im ewigen Mittag angelangt. Eine zum Abschluss gekommene Umkehr aller Werte. In gespaltenen Zellhaufen explizieren sich Feinde, statt neue Organismen zu formen. Die Wahrheit ist immer kontextgebunden. Vermeist das Wahr ist, kann das Gegenteil ebenso wahr sein. So wissen wir nur, dass wir nichts wissen können. So wissen wir nur, dass wir nichts wissen können. dass wir nichts wissen können. In endlosen Zyklen unserer vakuumierten, nicht homogenisierten Gegenwart. Ständig durch Geräte unseren primaten Herden abgelenkt. Gegen modernisierte Windmühlen kämpfend, auf deinem persönlichen Weg zur Arbeitsstätte, in patriarchalen Strukturen, die im Rahmen unserer Wirtschaftsweise jeden Menschen, unabhängig von ihrer Identität, ausbrist, bis nichts mehr bleibt. Aktuelle Debatten werden von und durch stets verfügbare, tragbare Medienwiedergabe-Endgeräte geführt und gelenkt. Das ist Orwells historischer Traum, in unserem postmodernen, vermeintlich individualistischen Zeitgeist. Was früher wahr war, ist es morgen vielleicht nicht mehr, unabhängig vom Wahrheitserhalt der Aussage. Die Erde ist eine Scheibe und wer sich über deren Rand bewegt, wird im ewigen Nichts verschwinden, um letztlich in der Sonne zu verwirren. Die überwunden geglaubten Weltbilder existieren im Meinungspluralismus als Reinkarnation der rückwärtsgewandten Mehrheitsgesellschaft. Wir sind frei und können uns informieren, wo wir wollen. Beschreibten Rahmen des uns gegebenen Internets, im Dienst, in der Aufklärung. Wir sind frei und können kaufen, was wir wollen. Im Rahmen von Wertschöpferskennen, die uns im Wirtschaftsdiktat des guten Lebens vorgeben, welche Güter und Taten legal sind und welche uns durch höhere Mächte verbunden sind. Wir sind nicht mehr wir. Wir waren nur als wir. Personalisiert bis zum Paroxysmus. Einst werden wir durch Hilfe der Maschine unsere Körper erwerben und zu Göttern gehalten sein. Musik Die Sendung wurde vom NDR live untertitelt. Untertitelung des ZDF, 2020 Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, Terima kasih telah menonton! Nå er vi på en viss veld. I am so lucky. I feel so desperate. I start to get more and more. I feel so good. I have been wanting to see you since you left. To have you in my arms. And I say to you this year. I'm a woman who seeks the rest of the world to follow me, and I'm a process, and I'm a source for what it's meant to be. I'm a woman who seeks the rest of the world to follow me, and I'm a process, and I'm sorry. Digital content creators have raised to feed their appetite for binge-worthy, on-demand programming across all video formats. With consumers literally living the stream, it makes this year's IAB New Front's Must Attend Virtual Event Series. Terima kasih telah menonton Inequality, insecurity, debt, stress, precarity, advancing robots, extinction, and the rise of populism and neo-fascism, as defining our times and forensically dissecting the inadequacy of our social settlement and the proposed universal credit to head them off. Terima kasih telah menonton Nettoketjur! Clearly, the new zeitgeist is a response to a deepening awareness of what's at stake. As a species, we know more and more about what we're up against. Mass immigration, climate change, poverty, soaring inequalities, and all other challenges currently addressed in the Sustainable Development Goals. More people than ever before understand that we absolutely need to find new and innovative solutions to our most pressing problems, and increasingly people are willing to devote their careers and lives to finding them. The stark contrast between highly optimistic, positive and widespread movement on the one hand, and so many serious challenges on the other, points to the decision facing each of us at every moment. so I'm not going to let you go. Sit in the office and stay quiet. Don't compete, concede. Get a lobotomy to serve the pitocracy. These, I think, are the recession-era mattress. Now I feel something else starting to boil under the surface. People are getting tired of running in circles and feel more free to reject it. Nettopp, det er en avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord avgjord av individuality, social acceptance, information overload, interconnectivity, and an addiction desire to always seek out the new, evolution at a faster pace. I would say there is an awakening beginning, but with it, the realization of our powerlessness. It's a sad thing, really. It seems that the zeitgeist of today is all about dealing with the reality of powerlessness. I think novelty is related to this in some way. I can't quite articulate it, but it seems that novelty is a benign form of revolution. It satisfies our craving for change while not really aggravating the power structure. Nå er det en av de fleste stående stående i verden. I'm sorry. Materially, yes, we're much better off. Psychologically, we're much worse off, as is evident in a large number of metrics. The information age is fucking with people's brains, polarizing people to an extent not possible before, and information overload is real. There's no longer a sense of community in most places. They are alienated from one another and suicide rates are increasing. We're far less optimistic about the future on a whole with plummeting birth rates to match. We also have less free time, more precarious work lives, and our education, medical and housing costs, dwarf the costs in that era. But yes, you have better technology and a larger variety of plastic shit to choose from. But when you think that my truth is that truth, is it also your truth? Or do you say the opposite? What would you do? Do you believe or do you trust? Or do you check the facts? Røde Røde The The water is very clear and clear. The R1 The The The water is very on the north side of the station. The The water is very clear and clear. The The water is very clear and clear. The The Røde Rød The The water is very cold and the water is very cold. The water is very cold and the water is very cold. The water is very cold and the water is very cold. The water is very cold and the water is very cold. The water is very cold and the water is very clear and clear. The The The The Vågstavnskog The The water is very clear and clear. The The The water is very clear and clear. The The Stavros Stavros Stavros Stavros The station is located on the north side of the station. The Vestas The The station is located on the north side of the station. R1 The Takk for at du så med. you you