+ LiWoLi 2012 - Restlichtverstärker / Servando Barreiro & Malte Steiner, part 02 Created at 5. Jun. 2012 13347 Ansichten by servus BeschreibungEmbed LiWoli - Art Meets Radical Openness. 24.-26.5.2012, Linz. Organized and curated by: servus.at in cooperation with the Art University Linz / Interface Cultures. www.servus.at www.ufg.ac.at http://liwoli.at/ Restlichtverstärker - Servando Barreiro / Malte Steiner Restlichtverstärker is a Berlin music duo of Servando Barreiro and Malte Steiner, working together since 2011. They created a complex stepsequencing and soundsynthesis patch for Pure Data and work with two synchronized laptops via OSC. They augmenting their performances with generative visuals, also done in Pure Data. The music can be described as rhythmical Clicks And Cuts or IDM. With the open source Pure Data they found their ideal platform to collaborate, exchange and explore sequencing and synthesis concepts plus are able to include easily stock and custom hardware controllers. Recording of the live-broadcast from Stadtwerkstatt on 24.5.2012 Share & Embed Embed this Video Link to this Video Add new comment Kommentar verfassen login or register to post comments. servus.at 106 Videos, 2 Members Playlists #Tags Kunstuniversität Linz Restlichtverstärker elektronische musik servus.at Malte Steiner Clicks And Cuts Servando Barreiro Liwoli Sequencer More from Channel 00:55:41 Valie Djordjevic / Transparency and obfuscation Valie Djordjevic - Transparency and obfuscation / AMRO 2014 servus.at since 10 years 00:53:13 Konrad Becker / Cultural Intelligence and Control: Tactics-Strategy-Operations Konrad Becker - Cultural Intelligence and Control: Tactics-S servus.at since 10 years 00:44:09 Tatiana Bazzichelli / Disrupting Business Tatiana Bazzichelli - Disrupting Business: Towards a Critiqu servus.at since 10 years 01:18:32 Festival ART MEETS RADICAL OPENNESS 2016 Felix Stalder: Radical Openness & the Crisis servus.at since 8 years 01:52:23 Die servus Operette in vier Akten entstand als waschechtes Community-Projekt. 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